Little Lark of London

Exploring the cultural world of London, one blog post at a time!


  • REVIEW: Twelfth Night ⭐⭐⭐⭐

    “Better a witty fool than a foolish wit” Directed by Owen Horsley, Shakespeare’s Twelfth Night has taken up residence at Regent’s Park Open Air Theatre. The play, a comedy, is one that plays with the trope of mistaken identity and how it can affect romance and the lives of others. Viola (Evelyn Miller) and Sebastian…

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  • REVIEW: Fun At The Beach Romp-Bomp-A-Lomp!! ⭐⭐⭐⭐

    “Get ready to have some fun, ‘cause you might be number one” “Grease meets Squid Game?” It sounds like an unlikely concept for a musical, but that’s exactly how Brandon Lambert and Martin Landry’s Fun At The Beach Romp-Bomp-A-Lomp!! describes itself. Directed by Mark Bell of The Play That Goes Wrong fame, the show pits…

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  • REVIEW: Barb Jungr, Singing Into My Seventies: Dylan, The River and The Blues ⭐⭐⭐

    “What I’m doing is trawling through my life . . . Through song” Barb Jungr, Singing Into My Seventies: Dylan, The River and The Blues is a cabaret performance in which Jungr quite literally sings her way into her seventies in a residency at Crazy Coqs in London. Joined by accomplished arranger and pianist Simon…

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  • REVIEW – Paul F. Taylor: Head in the Clouds ⭐⭐⭐

    Paul F Taylor: Head in the Clouds is a show that allows comedian Paul F. Taylor to explore his own diagnosis of ADHD and the effect that it has had on his life. After a few jokes to open the show, Taylor opens up a large container that has been sitting onstage behind him, causing…

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  • REVIEW: Origin ⭐⭐⭐

    “Lay down and be bathed in sound and light” Origin, a “deep listening art installation,” was created by Right/Left Project artists Stephen Dobbie and Colin Nightingale, who immersive theatre fans may recognise as members of Punchdrunk’s creative team for shows like Sleep No More and The Burnt City. This, however, is more of an art…

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  • REVIEW: Pippin – The 50th Anniversary Concert ⭐⭐⭐⭐⭐

    Going into Pippin – 50th Anniversary Concert, I genuinely had no idea what to expect. I was familiar with Pippin and had listened to the cast recording several times, but this seemed like it was going to be a new production. This production, directed by Jonathan O’Boyle, proves this within the first number, with Pippin…

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