Little Lark of London

Exploring the cultural world of London, one blog post at a time!


  • REVIEW: In Pour Taste ⭐⭐⭐⭐

    Do you like comedy? Do you like alcohol, particularly wine? What about the two put together? If the answer is yes, then In Pour Taste may be the show for you. The show, created by Australian comedians Sweeney Preston and Ethan Cavanagh, is a mix of comedy and wine tasting, with the two comedians joined

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  • INTERVIEW: Holly Sumpton, A Journey Home

    “To be able to explain that my job is like having fun and making people laugh is really great” After performing in Till The Stars Come Down at Theatre Royal Haymarket, actor Holly Sumpton is bringing her solo concert, A Journey Home, to Crazy Coqs in London. The show will blend a range of genres,

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  • INTERVIEW: Felix Hagan On His New Album, “Happy Songs”

    “I’m so unbelievably happy with how it’s turned out. This is exactly the album I wanted to make.” Felix Hagan, one of the co-creators of the Olivier and Tony award-winning Operation Mincemeat, will soon be releasing an album of solo work, entitled “Happy Songs.” Recently, we had the chance to speak with Hagan about his

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  • REVIEW – Dru Cripps: Juicy Bitts ⭐⭐⭐⭐

    “If you’re not laughing, you’re learning” Dru Cripps: Juicy Bitts begins in a bit of a strange way for a comedy show – it begins in silence. Cripps emerges from the back of the audience and takes to the stage, dressed in a boiler suit and winter hat. The audience quickly learns that they won’t

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  • REVIEW – Katie Norris: Go West, Old Maid ⭐⭐⭐⭐

    “God, this woman is so brave!” Katie Norris: Go West, Old Maid is the second solo show from Norris, following last year’s Farm Fatale. In this show, directed by Elf Lyons, Norris is focusing a bit more on her future – particularly whether there will be children involved. But there is also plenty of, as

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  • REVIEW – Mark Watson: Before It Overtakes Us ⭐⭐⭐⭐

    “We haven’t got time!” Mark Watson: Before It Overtakes Us has quite the unique start for a comedy show, with Watson standing not on the stage but in the stalls, having a casual conversation with the audience about their days. He thanks the audience for making it to Underbelly Boulevard during the Tube strike, saying

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